170 hits for "Links & Literature"
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1

Keene, S., 2002 Managing Conservation in Museums Oxford /Boston /Johannesburg /Melbourne /New Delhi Butterworth-Heinemann second

2

Waters, E., 1995 Guidelines for audio and audiovisual recording in the South Pacific Canberra National Library of Australia

3

Adelstein, P.Z., IPI media storage quick reference Rochester, NY, USA Image Permanence Institute

4

Reilly, J.M., 1999 Guía del Image Permanence Institute para el almacenamiento de películas de acetato (Traducción: Paola Calcaño) CONSERVAPLAN Caracas Venezuela Biblioteca Nacional de Venezuela 12

5

Dupont, H., 1999 Legal deposit in Denmark : the new law and electronic products in: LIBER Quarterly, the journal of European research libraries The Hague K.G. Saur Verlag GmbH & Co AG Vol. 9 (1999), No 2

6

Bigourdan, J-L., Reilly, J. M., Clark, S.(ed), 1999 Preservation Strategy for Acetate Film Collections Based on Environmental Assessment and Condition Survey in: Care of Photographic Moving Image & Sound Collections. Conference papers, July 20-24, 1998 Leigh, U.K. Institute of Paper Conservation

7

Association of Cinema & Video Laboratories, Recommended Procedures for Motion Picture and Video Laboratory Services Association of Cinema & Video Laboratories

8

Byers, F.R., 2003 Care and handling of CDs and DVDs: a guide for librarians and archivists CLIR report; 121 Washington DC Council on Library and Information Resources /National Institute of Standards and Technology

9

Boston, G., 2003 Survey of Endangered Audiovisual Carriers Paris UNESCO

10

2004 Film preservation guide: the basics for archives, libraries, and museums San Francisco National Film Preservation Foundation

11

2004 European film heritage on the threshold of the digital era, the FIRST project's final report: conclusions - guidelines - recommendations Brussels Royal Film Archive

12

Smith, A., Allen, D.R., Allen, K., 2004 Survey of the state of audio collections in academic libraries CLIR report; 128 (Optimizing collections and services for scholarly use) Washington DC Council on Library and Information Resources

13

[Project Film Restoration & Conservation Strategies (FIRST)], 2003 State of the art reports of the project Film Restoration & Conservation Strategies (FIRST) Brussels Project Film Restoration & Conservation Strategies (FIRST)

14

Edmondson, R., (ed), 2004 Audiovisual archiving: philosophy and principles Paris United Nations Educational, Scientific and Cultural Organization (UNESCO) / 2nd

15

Bigourdan, J-L., Coffey, L., Swanson, D., Brodsky, B.(ed), Treadway, T.(ed), Cleveland, D.(ed), Williams, D.(ed), The home film preservation guide

16

Bachman. R., Video Glossary

17

Dance heritage coalition preservation Dance Heritage Coalition

18

2002 Technical glossary of common audiovisual terms Canberra National Film and Sound Archive

19

[IFLA Audiovisual and Multimedia Section], 2004 Guidelines for audiovisual and multimedia materials in libraries IFLA Audiovisual and Multimedia Section Washington International Federation of Library Associations and Institutions (IFLA)

20

Harrison, H.P.(ed), 1997 Audiovisual archives. A practical reader Paris UNESCO March 1997

21

Kooyman, J.(ed), 1999 Gids voor historisch beeld- en geluidsmateriaal Amsterdam Stichting beheer IISG /Nederlands Audiovisueel Archief (NAA)

22

John Watkinson, 1996 Television Fundamentals Focal Press

23

Charles Poynton,, Digital Video and HDTV San Francisco Morgan Kaufmann Publishers

24

Herbert Zettl, 2003 Video Basics 4 Wadsworth

25

Johannes Webers, 2003 Handbuch der Film- und Videotechnik Franzis Verlag GmbH

26

Elmar Götz-Meyn, Walter Neumann, 1998 Grundlagen der Video- und Videoaufzeichnungstechnik Hüthig-Verlag

27

Multimedia Data Representations

28

Ralf Steinmetz , Klara Nahrstedt , Basics of Video

29

Kelin J. Kuhn, Conventional Analog Television - An Introduction

30

Allan W. Jayne, Jr., Television and Video Advice

31

Care and Handling of Magnetic Disks

32

[Library of Congress], Cylinder, Disc and Tape Care in a Nutshell

33

Kodak, The Nature of CD-ROM Discs kodak

34

Biltereyst, D., Vande Winkel, R., 2004 Bewegend geheugen. Een gids naar audiovisuele bronnen over Vlaanderen Gent Academia Press

35

[National Archives and Record Administration], NARA/Long-Term Usability of Optical Media. The National Archives and Records Administration and the Long-Term Usability of Optical Media for Federal Records: Three Critical Problem Areas

36

Boyle, Deirdre, 1993 Video Preservation: Securing the Future of the Past. New York Media Alliance

37

[Library of Congress], 1996 Caring for Cylinder Recordings Washington DC Library of Congress

38

[Library of Congress], 1998 Care, Handling and Storage of Motion Picture Film Washington DC Library of Congress

39

[Amigos Library Services], Preservation of A/V Materials: A Selected Biography Amigos Library Services

40

Mücher, Michael , BET Broadcast-Fachwörterbuch Hamburg Verlag BET Michael Mücher

41

[Belle Nuit Montage - Editing etc], Digital Video Wörterbuch Lausanne

42

Jayne, Allan W. , 2004 (update) Television and Video Glossary Nashua

43

[AUDIO VIDEO & BROADCASTING STUDIO SYSTEMS], 2000 A to Z of Digital video AUDIO VIDEO & BROADCASTING STUDIO SYSTEMS

44

IASA Cataloguing Rules Editorial Group(ed), 1999 The IASA Cataloguing Rules. A manual for description of sound recordings and related audiovisual media. IASA - International Association of Sound and Audiovisual Archives

45

Breen, Majella , Flam, Gila, Giannattasio, Isabelle, Holst, Per, Pellizzari, Pio, Schüller, D., 2003 IASA Task Force on Selection. Task Force to establish selection criteria of analogue and digital audio contents for transfer to data formats for preservation purposes. IASA - International Association of Sound and Audiovisual Archives

46

IASA Technical Committee, 2001 The Safeguarding of the Audio Heritage: Ethics, Principles and Preservation Strategy. Standards, Recommended Practices and Strategies. IASA TC-03. IASA - International Association of Sound and Audiovisual Archives

47

[National Initiative for a Networked Cultural Heritage (NINCH)], 2002 Audio/Video Capture and Management. in: The NINCH Guide to Good Practice in the Digital Representation and Management of Cultural Heritage Material. National Initiative for a Networked Cultural Heritage (NINCH)

48

St-Laurent, Gilles, 1996 The care and handling of recorded sound materials National Library Of Canada

49

Pohlmann, Ken C., 2000 Principles of Digital Audio. McGraw-Hill Professional

50

Analog Tape Recorders

51

Hess, Richard , 2001 Vignettes Media Tape Restoration Tips Vignettes Media

52

Specs Bros, 2002 Basic Inspection Techniques to Sample the Condition of Magnetic Tape Specs Bros

53

Wilkie, Chris, 1999 Managing film and video collections. Europa Publications

54

Davidson, Steven(ed), Lukow, Gregory (ed), 1997 The Administration of Television Newsfilm and Videotape Collections: a curatorial manual. Los Angeles /Miami American Film Institute /Louis Wolfson II Media History Center

55

Serceau, Michel (ed), Roger, Philippe (ed), 2000 Les archives du cinéma et de la télévision in: CinémAction, no. 97

56

Bowser, Eileen(ed), Kuiper, John(ed), 1991 A Handbook for Film Archives. New York Garland Publishing, Inc.

57

Toubiana, Serge, 2003 Toute la mémoire du monde : mission de réflexion sur le patrimoine cinématographique en France: rapport présenté à Monsieur Jean-Jacques Aillagon, Ministre de la Culture et de la Communication. Paris

58

Sprekende kaart van Nederland Amsterdam [Meertens Instituut]

59

Brabant collection Filmdatabank Tilburg /[Tilburg University]

60

German newsreels archive Berlin

61

Folkstreams Washington

62

Moving history. A guide to UK film and television archives in the public sector [AHRB Centre for British Film and Television Studies]

63

Moving Image Collections Preservation Portal Washington Library of Congress /Association of Moving Image Archivists /National Science Foundation

64

Hess Norris, D., 1997 Caring for your home videotape American Institute for Conservation of Historic and Artistic Works (AIC)

65

2005 Preservation of A/V Materials: A Selected Biography Dallas, TX Amigos Library Services Inc.

66

Barnett, A., Evans, M., PALsite

67

Mapping between Birth metadata, Dublin Core, MXF DMS-1 and SMPTE metadata dictionary BIRTH project

68

ScreenOnline British Film Institute

69

Ilomäki, H., 1999 Printed matter and audiovisual materials as legal deposit copies in: Tietolinja News Helsinki University of Helsinki 1/1999

70

Legal deposits to Helsinki University Library Helsinki Helsinki University Library

71

1992 French legal deposit law 1992 Paris

72

Gianattasio, I., 2002 Patromoine et dépôt légal

73

Aubert, M., 2002 Dépôt légal des films. Direction du patrimoine cinématographique du CNC

74

Legal deposit PADI

75

1998 Danish legal deposit law Copenhagen Royal Library of Denmark

76

Legal Deposit Act Sweden The Royal Library- National Library of Sweden

77

Legal Deposit Act at the Biblioteca Nacional in Madrid Madrid Biblioteca Nacional

78

Protection and development of cinematographic art, support of Greek cinema and other provisions.

79

1980 Andorra legal deposit law Andorra National Library of Andorra

80

Gorini, S., 2004 The protection of cinemagraphic heritage in Europe Strasbourg European Audiovisual Observatory

81

European Audiovisual Observatory

82

Hummel, Rob(ed), 2002 ASC Film Manual ASC Press 8th

83

Archives of Ontario, 2003 Sound and Moving Images. Archives of Ontario. 2003. Archives of Ontario

84

[Association of Moving Image Archivists - AMIA], Videotape Preservation Fact Sheets. Hollywood Association of Moving Image Archivists (AMIA)

85

[National Library of Australia], Assessment Guidelines. Australian Network for Information on Cellulose Acetate (ANICA) Canberra

86

[National Library of Australia], 2002 Storage of Cellulose Acetate Collections: A Preliminary Survey of Issues and Options Canberra National Library of Australia

87

Frost, Hannah (ed), Conservation OnLine (CoOL). Preservation of Audio Materials. Conservation On Line

88

Frost, Hannah(ed), Conservation OnLine (CoOL). Preservation of Video. Conservation On Line

89

Frost, Hannah(ed), Conservation OnLine (CoOL). Preservation of Motion Picture Film. Conservation On Line

90

Despas, Bruno, Conservation, restauration et valorisation du film d'entreprise. France: Centrimage. Centrimage

91

Journal of Film Preservation Brussels International Federation of Film Archives (FIAF)

92

[National Film Preservation Foundation], 2004 The Film Preservation Guide San Francisco National Film Preservation Foundation

93

[ScreenSound Australia], Film Preservation Handbook Canberra ScreenSound Australia, the National Screen and Sound Archive.

94

Wheeler, J., 2002 Video Preservation Handbook Association of Moving Image Archivists (AMIA)

95

Lukow, Gregory , 2000 Education, Training and Careers in Moving Image Preservation Association of Moving Image Archivists (AMIA)

96

2003 Digital audio-visual preservation prototyping project Washington Library of Congress

97

Allerstrand, S., 2004 Legal deposit of AV-material in Sweden Riga

98

Sauer, Jeff, 2002 Metadata Heaven VideoSystems

99

Auffret, G, Prié, Y, 1999 Managing Full-indexed Audiovisual Documents: A New Perspective for the Humanities in: Computers and the Humanities December 1999, vol. 33, no. 4, pp. 319-344 Kluwer Academic

100

Auffret, G, Prié, Y, Bachimont, B, 1999 Digitizing TV and Radio Archives: supporting scholarship by providing new means of access to audiovisual documents Annual Conference of the Association for History and Computing (UK branche)

101

Prié, Y, Mille, A, Pinon, J-M, 1999 A context-based audiovisual representation model for audiovisual information systems in: Context: International and Interdisciplinary Conference on Modeling and using Context, LNAI series Trento Springer-Verlag

102

1999 Audio-Visual Digital Libraries, Papers of the Tenth DELOS Workshop Santorini DELOS Working Group

103

Bachimont, B, 1998 Bibliothèques numériques audiovisuelles. Des enjeux scientifiques et techniques Bry sur Marne Institut National de lAudiovisuel (INA)

104

Barwick, Linda, 2001 Why digitise? The future of audio cassette recordings Sydney University of Sydney

105

, , Leab Martin, Abigail(ed), 2001 AMIA Compendium of Moving Image Cataloging Practice Chicago Association of Moving Image Archivists (AMIA) /Society of American Archivists

106

McDonough, Jerome, 2004 Preservation-Worthy Digital Video; or, How to Drive your Library into Chapter 11 Portland, Oregon

107

Read, Paul(ed), Meyer, Mark-Paul(ed), 2000 Restoration of Motion Picture Film Butterworth-Heinemann

108

Rares, A, Reinders, M.J.T., Biemond, J., 2002 Recovery of Partially Degraded Colors in Old Films in: Proceedings of EUSIPICO 2002, September 3-6, Toulouse, France Toulouse

109

Reilly, J. M., 1993 IPI Storage Guide for Acetate Film Rochester, NY, USA Image Permanence Institute

110

[Library of Congress], 2000 Archival Moving Image Materials. A Cataloging Manual. Washington DC Library of Congress

111

Slide, Anthony, 2000 Nitrate Won't Wait: A History of Film Preservation in the United States McFarland & Company

112

VidiPax New York VidiPax TM

113

Film restoration Graz Diamant, Joanneum Research

114

Fells, Rick, Donachy, Pauline, Owen, Catherine, 2003 Creating Digital Audio Resources. A Guide to Good Practice Arts and Humanities Data Servic executive (AHDS)

115

[British Universities Film & Video Council], 2001 The Researcher's Guide: Film, Television, Radio and Related Documentation Collections in the UK British Universities Film & Video Council (BUFVC)

116

Kirchner, Daniela (ed), 1995 Film and Television Collections in Europe: the MAP-TV Guide British Universities Film & Video Council (BUFVC)

117

Banks, Marcus, 1995 Visual research methods in: Social Research Update Oxford University of Surrey, Department of Sociology

118

Henley, Paul, 1996 The Promise of Ethnographic Film in: Stirling Memorial Lecture Canterbury University of Kent

119

Banks, Marcus, 2001 Visual Methods in Social Research Oxford Sage Publications

120

Hockings, Paul(ed), Visual Anthropology San Jose, CA, USA Taylor & Francis

121

Grimshaw, Anna (ed), Ravetz, Amanda (ed), 2004 Visualizing Anthropology. Experimenting with Image-Based Ethnography Intellect

122

Enticknap, Leo, 2005 Moving Image Technology Wallflower Press

123

Vos, Chris, 2004 Gebruik van de historische film als bron Amsterdam Boom

124

Tom Genova, Television History - The First 75 Years

125

Bradley, K., Brock-Nannestad, G., Gaustad, L., Gilmour, I., Risnyovszky, M., Schüller, D., Häfner, A., Stickells, L., Wheeler, J., Bradley, K.(ed), 2004 Guidelines on the production and preservation of digital audio objects. IASA TC-04 Technical committee: standards, recommended practices and strategies Johannesburg IASA - International Association of Sound and Audiovisual Archives

126

Vos, C., 2004 Bewegend verleden: inleiding in de analyse van films en televisieprogramma's (incl. DVD) Amsterdam Uitgeverij Boom

127

Brooks, T., , , 2005 Survey of reisssues of U.S. recordings: commissioned for and sponsored by the National Recording Preservation Board, Library of Congress CLIR report; 133 (Optimizing collections and services for scholarly use) Washington DC Council on Library and Information Resources /Library of Congress

128

Navale, V., 2005 Predicting the Life Expectancy of Modern Tape and Optical Media in: RLG DigiNews Research Libraries Group (RLG)

129

Grotke, R.W., 2004 Digitizing the world's largest collection of natural sounds: key factors to consider when transferring analog-based audio materials to digital formats in: RLG DigiNews Mountain View CA Research Libraries Group (RLG)

130

Dantzker, M., 2004 Preserving Visual Recordings at a Library of Animal Behavior, Part 1: From Submitted Media to Archival Masters in: RLG DigiNews Research Libraries Group (RLG)

131

Film calculator Rochester, NY, USA kodak

132

Besek, J.M. , , , 2005 Copyright issues relevant to digital preservation and dissemination of pre-1972 commercial sound recordings by libraries and archives CLIR report; 135 (Optimizing collections and services for scholarly use) Washington DC Council on Library and Information Resources /Library of Congress

133

Slattery, O. , Lu, R., Zheng, J., Byers, F.R., Tang, X., 2004 Stability comparison of recordable optical discs: a study of error rates in harsh conditions in: Journal of research of the National Institute of Standards and Technology Gaithersburg, Md. National Institute of Standards and Technology / vol. 109, no. 5

134

Iraci, J., 2005 The relative stabilities of optical disc formats in: Restaurator: international journal for the preservation of library and archival material Munich K.G.Saur /National Institute of Standards and Technology Vol. 26, No. 2 (2005)

135

, , , 2006 Capturing analog sound for digital preservation: report of a roundtable discussion of best practices for transferring analog discs and tapes CLIR report; 137 (Optimizing collections and services for scholarly use) Washington DC Council on Library and Information Resources /Library of Congress

136

Weisser, A., 2006 Die Restaurierung und Konservierung von audiovisuellen Datentraegern aus restaurierungsethischer Sicht in: Zur Geschichte des Filmkopierwerks. Weltwunder der Kinematographie Postdam Joachim Polzer Achte Ausgabe

137

Weisser, A., 2006 U-matic 3/4 inch cassette removal procedure when normal ejection is not possible in: Tape Restoration Blog (Richard Hess) Aurora, Ontario 13.03.2006

138

Weisser, A., 2004 Video U-matic. Cut! Ende einer Aera? in: Rundbrief Fotografie Freiburg Vol. 11, No. 4/15

139

Guidelines for surveying cellulose acetate collections London The British Library

140

2000 Cellulose acetate project Canberra National Library of Australia

141

Austrialian Network for Information on Cellulose Acetate Canberra National Library of Australia

142

Harrison, H.P.(ed), 1991 FIAF cataloguing rules Munich /London /New York /Pars K.G.Saur

143

Moving Image Collections (MIC) Washington Library of Congress /AMIA

144

March 2000 The MP3 and Internet Audio Handbook. Part 3. Understanding digital audio TeamCom Books

145

National Film and Sound Archive, November 2005 Collection Policy Canberra

146

Weisser, A., 2003 Audio- und Videobaender: Geschichte, Aufbau und Archivierung in: Forum-Bestandserhaltung Münster Universitäts- und Landesbibliothek Münster

147

Smither, R.(ed), 2002 This Film is Dangerous - A Celebration of Nitrate Film FIAF

148

MACE. The moving image archive for the Midlands Nottingham Media Archive for Central England

149

Storage rooms Rochester, NY, USA Kodak

150

Bigourdan, J-L., Vinegar syndrome: An Action Plan Rochester, NY, USA Image Permanence Institute

151

Morton, D., The History of Sound Recording Technology

152

Stauderman, S, 2003 Pictorial Guide to Sound Recording media Austin, Texas

153

(ed), 2004 Guida agli archivi audiovisivi in Italia Archivio Audiovisivo del Movimento Operaio e Democratico (AAMOD), Annali Rome Ediesse Vol. 7, 2004

154

Maden, F.J.C. van der(ed), Barten, E.W.J.(ed), Oosterbaan, A.T.P.(ed), Wieland, J.H.M.(ed), Bijl, A.(ed), 1993 Audiovisuele collecties: handleiding voor het beheer van bewegend beeld en geluid Hilversum Vereniging Geschiedenis, Beeld en Geluid /Uitgeverij Verloren

155

McCallum, S., 2003 40 years of technology in libraries: a brief history of the IFLA section on information technology, 1963/64-2003 Washington IFLA

156

Gillespie, V., Theodore Roosevelt on Film Washington Library of Congress

157

n.d. Preservation Calculator Rochester, NY, USA Image Permanence Institute

158

Jimenez, Mona, Platt, Liss, 2004 Videotape Identification and Assessment Guide Austin, Texas Texas Commission on the Arts

159

Bradley, K., 2006 Risks associated with the use of recordable CDs and DVDs as reliable storage media in archival collections - strategies and alternatives Paris UNESCO

160

[Library of Congress], 2005 Specifications for plastic containers for long-term storage of motion picture film and magnetic tape media Washington DC Library of Congress

161

Cylinder preservation and digitization project Santa Barbara University of California

162

[Film Archives Forum], 2000 Moving History: Towards a Policy for the UK Moving Image Archives. I Film Archives Forum

163

[Film Archives Forum], 2000 Moving History: Towards a Policy for the UK Moving Image Archives. II Film Archives Forum

164

[Media Matters LLC], Digital video preservation reformatting project. A report. Washington DC Dance Heritage Coalition

165

Swiss National Sound Archives, Audio techniques, Swiss National Sound Archives

166

Vandermaesen, M., Baaten, L., 2004 Digitaal geluidsarchief. Krachtlijnen digitalisering: Standaarden, formaten en dragers Antwerpen Stadsarchief Antwerpen

167

Wright, Richard, [BBC], [PrestoSpace project], 2006 PrestoSpace Preservation Guide

168

[National Information Standards Organization], 2004 Understanding metadata Bethesda NISO Press

169

Schüller, D., Boston, G.(ed), 2008 Audio and video carriers: recording principles, storage and handling, maintenance of equipment, format and equipment obsolescence Amsterdam Training for Audiovisual Preservation in Europe (TAPE)

170

Klijn, E., Lusenet, Y. de, Boston, G.(ed), 2008 Tracking the reel word. A survey of audiovisual collections in Europe Amsterdam Training for Audiovisual Preservation in Europe (TAPE)